Welcome to the Poetry Portal

The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or incantatory effects. Most poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate pattern. For this reason, verse has also become a synonym (a metonym) for poetry.

Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.

Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)

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Haiku by Matsuo Bashō reading "Quietly, quietly, / yellow mountain roses fall – / sound of the rapids"

Haiku (俳句, listen) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 phonetic units (called on in Japanese, which are similar to syllables) in a 5, 7, 5 pattern; that include a kireji, or "cutting word"; and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji. Similar poems that do not adhere to these rules are generally classified as senryū.

Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as hokku and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century.

Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese language haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement within modern Japanese haiku (現代俳句, gendai-haiku), supported by Ogiwara Seisensui and his disciples, has varied from the tradition of 17 on as well as taking nature as their subject. (Full article...)

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Charles Baudelaire
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Anna Andreyevna Gorenko Russian: Анна Андреевна Горенко, IPA: [ˈanə ɐnˈdrʲejɪvnə gɐˈrʲenkə] ; Ukrainian: Анна Андріївна Горенко</ref> (June 23 [O.S. June 11] 1889 – March 5, 1966), better known by the pen name Anna Akhmatova (Russian: Анна Ахматова, IPA: [ɐxˈmatəvə]), was a Russian modernist poet, one of the most acclaimed writers in the Russian canon.

Akhmatova's work ranges from short lyric poems to intricately structured cycles, such as Requiem (1935–40), her tragic masterpiece about the Stalinist terror. Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries. The strong and clear leading female voice struck a new chord in Russian poetry. Her writing can be said to fall into two periods – the early work (1912–25) and her later work (from around 1936 until her death), divided by a decade of reduced literary output. Her work was condemned and censored by Stalinist authorities and she is notable for choosing not to emigrate, and remaining in Russia, acting as witness to the atrocities around her. Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of Stalinism. (Full article...)

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Beyond Seas by Sohrab Sepehri

I shall build a boat
I shall cast it in the water
I shall sail away from this strange earth
Where no one awaken the heroes in the wood of love

A boat empty of net
And longing heart for pearls
I shall continue sailing
Neither I shall loose my heart for the blues
Nor for the mermaids who emergeed from the water
To spread their charm from their locks
On the shining solitude of fishermen

I shall continue sailing
I shall continue singing
“One should sail away, sail away.”
The man in that town had no myth
The woman in that town was not as brimful as a cluster of grapes

No hall mirror repeated joys
Not even puddles reflected a torch
One should sail away, sail away
Night has sung its song
Now it is the turn of windows

I shall continue sailing
I shall continue singing

Beyond the seas there is a town
In which windows open to manifestation
There rooftops quarter pigeons that looks at the jets of human intelligence
In the hand of each 10-year-old child a branch of knowledge lies
The townsfolk took at hedges
As if they look at a flame, a tender dream
Earth hears the music of your feeling
And the fluttering sound of mythological birds are heard in the wind

Beyond the seas there is a town
Where the sun is as wide as the eyes of early-risers
Poets inherit water, wisdom and light

Beyond the seas there is a town!
One must build a boat

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