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Latin America often refers to the regions in the Americas in which romance languages are the main languages and the culture and Empires of its peoples have had significant historical, ethnic, linguistic, and cultural impact. It is "commonly used to describe South America with the exception of Suriname, Guyana and the Falkland islands. Central America, Mexico, and most of the islands of the Caribbean". In a narrow sense, it refers to Spanish America and Brazil (Portuguese America). The term "Latin America" is broader than Hispanic America, which specifically refers to Spanish-speaking countries; and narrower than categories such as Ibero-America, a term that refers to both Spanish and Portuguese-speaking countries from the Americas, and sometimes from Europe. It could also theoretically encompass Quebec or Louisiana where French is still spoken and are historical remnants of the French Empire in that region of the globe.

The term Latin America was first used in Paris at a conference in 1856 called "Initiative of America: Idea for a Federal Congress of the Republics" (Iniciativa de la América. Idea de un Congreso Federal de las Repúblicas), by the Chilean politician Francisco Bilbao. The term was further popularized by French emperor Napoleon III's government of political strongman that in the 1860s as Amérique latine to justify France's military involvement in the Second Mexican Empire and to include French-speaking territories in the Americas, such as French Canada, Haiti, French Louisiana, French Guiana, Martinique, Guadeloupe and the French Antillean Creole Caribbean islands Saint Lucia, and Dominica, in the larger group of countries where Spanish and Portuguese languages prevailed.

The region covers an area that stretches from Mexico to Tierra del Fuego and includes much of the Caribbean. It has an area of approximately 19,197,000 km2 (7,412,000 sq mi), almost 13% of the Earth's land surface area. In 2019, Latin America had a combined nominal GDP of US$5.1 trillion and a GDP PPP of US$10.2 trillion. (Full article...)

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Notable cities in the Viceroyalty of Peru during the revolt, which centered in Asunción.

The Revolt of the Comuneros (Spanish: Revolución Comunera) was a series of uprisings by settlers in Paraguay in the Viceroyalty of Peru against the Spanish authorities from 1721 to 1725 and 1730–1735. The underlying cause of the unrest was strong anti-Jesuit feelings among the Paraguayans and dislike for any governor seen as favoring the Jesuits. In the resumption of the revolt in 1730, economic issues came to fore as well. The rebel organization split in its second phase, as the rural poor and the urban elite each formed their own factions with similar grievances against the Jesuits, but incompatible politics. Paraguay had an unusually strong tradition of self-rule; the colonists did not have a tradition of strict obedience to everything the Spanish Crown's governor decreed. This independence helped push the revolt forward.

The beginnings of the revolt were quasi-legal at first. José de Antequera y Castro (1690–1731), a judge for the Real Audiencia of Charcas, was sent to Asunción in 1721 to examine charges of misconduct against pro-Jesuit Governor Diego de los Reyes Balmaseda. Antequera concluded the charges were valid, forced Reyes into exile and later imprisoned him, and declared himself governor by the power of the Audencia in 1722. Antequera also accused the Jesuits of various crimes, demanded that the mission Indians under their care be enslaved and distributed to the citizens of Paraguay, and expelled the Jesuits from their college in Asunción. All these actions had the support of the citizens of Asunción, and governors had been deposed and replaced before without the central government complaining. However, Viceroy of Peru Diego Morcillo, residing in Lima, did not approve of Antequera's action and ordered Reyes' restoration as governor. With the backing of the settlers, Antequera refused, citing the authority of the Audencia as superior to that of the Viceroy. The feud between Antequera and the Viceroyalty continued after Viceroy Morcillo was replaced by the Marquis of Castelfuerte as Viceroy of Peru. Antequera's Paraguayan militia attacked and defeated an allied force of Jesuit mission Indians and Spanish colonial forces during the standoff. The battle tainted the legitimacy of Antequera's claim of governorship, however, and a second force was sent by Castelfuerte against a movement now seen as clearly treasonous. Antequera resigned in 1725 and fled to Charcas, while order was seemingly restored in the province. Antequera was arrested, imprisoned for five years at Lima, and executed. (Full article...)
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Latin American nations have been producing national LGBT+ cinema since at least the 1980s, though homosexual characters have been appearing in their films since at least 1923.:75 The collection of LGBT-themed films from 2000 onwards has been dubbed New Maricón Cinema by Vinodh Venkatesh; the term both includes Latine culture and identity and does not exclude non-queer LGBT+ films like Azul y no tan rosa.:6-7 Latin American cinema is largely non-systemic, which is established as a reason for its wide variety of LGBT-themed films.:142

A "boom" in LGBT+ cinema of the region began at the turn of the century and was reinvigorated in the 2010s, which also notably included output of such films from spaces in Latin America (e.g. Venezuela) with film industries that "have lagged behind" the rest of the region.:6-7, 19, 192 (Full article...)
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The following are images from various Latin America-related articles on Wikipedia.

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Tatacoa Desert
Tatacoa Desert
Credit: Julien H

The Tatacoa Desert, the second largest arid zone in Colombia after the Guajira Peninsula, is one of the most attractive scenery Colombia and occupies 330 square kilometers of land in ocher and gray brushstrokes of green cactus..

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Guna woman selling Molas in Panama City
Guna woman selling Molas in Panama City
The mola or molas, forms part of the traditional outfit of a Kuna woman, two mola panels being incorporated as front and back panels in a blouse. The full costume traditionally includes a patterned wrapped skirt (saburet), a red and yellow headscarf (musue), arm and leg beads (wini), a gold nose ring (olasu) and earrings in addition to the mola blouse (dulemor). In Dulegaya, the Kuna's native language, "mola" means "shirt" or "clothing". The mola originated with the tradition of Kuna women painting their bodies with geometrical designs, using available natural colors; in later years these same designs were woven in cotton, and later still, sewn using cloth bought from the European settlers of Panama.

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