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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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A scene from the Kunsthistorisches Museum’s Freydal Illuminated manuscript: Freydal jousts with Veit von Wolkenstein (fol.133}

Freydal is an uncompleted illustrated prose narrative commissioned by the Holy Roman Emperor Maximilian I in the early 16th century. It was intended to be a romantic allegorical account of Maximilian's own participation in a series of jousting tournaments in the guise of the tale's eponymous hero, Freydal. In the story, Freydal takes part in the tournaments to prove that he is worthy to marry a princess, who is a fictionalised representation of Maximilian's late wife, Mary of Burgundy.

The text was never completed, although a manuscript draft is held by the Austrian National Library. Over 200 high quality drawings were created to be used as planning sketches, 203 of which are held in the National Gallery of Art in Washington, D.C., with a small number of others preserved in the British Museum and the Vatican Library. Based on these drawings, 256 miniature paintings were created by court painters, and 255 are preserved in an illuminated manuscript, the Freydal tournament book held by the Kunsthistorisches Museum in Vienna. These miniatures vividly record the different types of jousts that were popular at the time as well as the court masquerades, or ‘mummeries’, that took place at the end of the day after each tournament. It is the most extensive visual record of late medieval tournaments and court masquerades that exists. (Full article...)
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View of Mt. Fuji from Numazu by Hokusai
View of Mt. Fuji from Numazu by Hokusai
View of Mt. Fuji from Numazu by Hokusai
Credit: Petrusbarbygere
Ukiyo-e, "pictures of the floating world", is a genre of Japanese woodblock prints (or woodcuts) and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, the theatre and pleasure quarters. It is illustrated here by Hokusai's Red Fuji from his Thirty-six Views of Mt. Fuji series.

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Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad.
Salvador Dalí, People (September 27, 1976)


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Dalí in 1939

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol gcYC (11 May 1904 – 23 January 1989), known as Salvador Dalí (/ˈdɑːli, dɑːˈl/ DAH-lee, dah-LEE, Catalan: [səlβəˈðo ðəˈli], Spanish: [salβaˈðoɾ ðaˈli]), was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work.

Born in Figueres, Catalonia, Spain, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. (Full article...)
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