The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
... that despite plans to restore the Sam H. Harris Theatre in the 1990s, it became an entrance to a wax museum?
... that just four days before his death in 2004, David B. McCall received a presidential pardon from George W. Bush for fraud charges dating from the 1990s?
Christopher George Latore Wallace (May 21, 1972 – March 9, 1997), better known by his stage names The Notorious B.I.G. or Biggie Smalls, was an American rapper. Rooted in East Coast hip hop and particularly gangsta rap, he is widely considered to be one of the greatest rappers of all time. Wallace became known for his distinctive laid-back lyrical delivery, offsetting the lyrics' often grim content.
Born and raised in Brooklyn, New York City, Wallace signed with Sean "Puffy" Combs' label Bad Boy Records as it launched in 1993, and gained exposure through features on several other artists' singles that year. His debut studio album Ready to Die (1994) was met with widespread critical acclaim and supported by his signature songs, "Juicy", "Big Poppa", and "One More Chance". The album made him the central figure in East Coast hip hop, and restored New York's visibility at a time when the West Coast hip hop scene was dominating the genre. "Big Poppa" earned a nomination for Best Solo Rap Performance at the 38th Annual Grammy Awards, while Wallace himself won Rap Artist of the Year at the 1995 Billboard Music Awards. That same year, he introduced and led his protégé group Junior M.A.F.I.A., which included Lil' Kim, to chart success with executive production on their debut album, Conspiracy (1995). (Full article...)
Image 23The catsuit became a trend in the late 1990s. Normally made of latex, PVC, or spandex, it was often worn with high-heeled boots. (from 1990s in fashion)
Image 26Model wearing a midriff shirt, a silver necklace, low ponytail and straight-leg leggings, 1999. (from 1990s in fashion)
Image 27The Nasdaq Composite displaying the dot-com bubble, which ballooned between 1997 and 2000. The bubble peaked on Friday, 10 March 2000. (from 1990s)
Image 37Go-go boots became fashionable again in 1995. They were worn by women of the hip-hop, alternative, and dance subcultures. (from 1990s in fashion)
Image 58Rwandan genocide: Genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
Image 59Women's side gusset shoes were popular among preppy and hip-hop subcultures in the mid- to late-1990s. (from 1990s in fashion)
Image 72The compact disc reached its peak in popularity in the 1990s, and not once did another audio format surpass the CD in music sales from 1991 throughout the remainder of the decade. By 2000, the CD accounted for 92.3% of the entire market share in regard to music sales. (from 1990s)
Image 73The federal building that was bombed in the Oklahoma City bombing two days after the bombing, viewed from across the adjacent parking lot. (from 1990s)
The film was written by Jeanette Winterson, directed by Beeban Kidron and produced by Phillippa Gregory, the same creative team that collaborated on Winterson's Oranges Are Not the Only Fruit in 1990. Winterson intended the screenplay to be reminiscent of a fairy tale, and was unhappy at being asked to write a new ending for its American release. (Full article...)
Williamson, who was struggling to get his projects off the ground, was inspired by reports of a series of murders by the Gainesville Ripper as he wrote a screenplay that satirized the clichés of the slasher genre popularized in films such as Halloween (1978), Friday the 13th (1980), and A Nightmare on Elm Street (1984). Developed under the title Scary Movie, Williamson's script became the subject of an intense bidding war from multiple studios before Miramax Films purchased the rights. Craven, despite turning down the opportunity multiple times, agreed to direct the film after he had read the script as he was determined to re-establish himself after several career setbacks. The involvement of Barrymore and Cox helped secure more support from the studio. Principal photography took place from April to June 1996 in California on a budget of $15 million. Craven trimmed down the violence in the film after being involved in a tense conflict with the Motion Picture Association of America over the desired R-rating. (Full article...)
Ghibli Experimental Theater On Your Mark (Japanese: ジブリ実験劇場 On Your Mark, Hepburn: Jiburi Jikkengekijō On Yua Māku) is an animated music video created by Studio Ghibli for the song "On Your Mark" by the Japanese rock duo Chage & Aska. The song was released in 1994 as part of the single "Heart". In 1995, Hayao Miyazaki wrote and directed the short film for the song as a side-project after having writer's block with Princess Mononoke. The anime music video is non-linear, providing multiple reiterations and alternate scenes to depict the events. The music video added sound effects to the audio track, but contains no dialogue. Miyazaki purposely misinterpreted the lyrics to present his vision of a world where the surface becomes inhospitable and humans live in an underground city. He made the video cryptic to evoke creative interpretations among viewers.
The music video follows two policemen who raid and massacre a religious cult and find an angelic being, only to have her taken away and confined to a secure laboratory. Haunted by the fate of the angel, the two men formulate a plan and break into the laboratory. Fleeing in an armored truck, the three plummet into an abyss after trying to force past a police aircraft along a narrow, suspended roadway. After a montage of the previous scenes, the armored truck suddenly rockets into an apartment complex, allowing their escape. The three escape to the surface, ignoring the radiation and danger signs, emerging near an encased nuclear reactor. The two men set the angel free and she flies off into the sky. (Full article...)
Ideas for a film about the Schindlerjuden (Schindler Jews) were proposed as early as 1963. Poldek Pfefferberg, one of the Schindlerjuden, made it his life's mission to tell Schindler's story. Spielberg became interested when executive Sidney Sheinberg sent him a book review of Schindler's Ark. Universal Pictures bought the rights to the novel, but Spielberg, unsure if he was ready to make a film about the Holocaust, tried to pass the project to several directors before deciding to direct it. (Full article...)
The film was released to mainly positive reviews, and was generally considered a moderate financial success at both the box office and in home video sales. In 1998, it was followed by a direct-to-video sequel, FernGully 2: The Magical Rescue, although none of the original voice cast reprised their roles. (Full article...)
The film was shot in Nagoya, Japan, and Vancouver, British Columbia, Canada on a $25 million budget, and premiered in February 1995, taking in $6.6 million in U.S. box office. Most critic reviews found the plot clichéed and the acting unconvincing, while some praised Harada's performance. The critically well-received soundtrack featured music by the Japanese taiko troupe Kodō, which pervades the film. (Full article...)
The film was John Woo's last Hong Kong film before his transition to Hollywood. After receiving criticism for making films that glamorized gangsters, Woo wanted to make a Dirty Harry-styled film to glamorize the police. With the death of screenwriter Barry Wong, the film's screenplay underwent constant changes during filming. New characters such as Mad Dog and Mr. Woo were introduced, while the original plotline of a baby-poisoning psychopath was cut. (Full article...)
Audition (オーディション, Ōdishon) is a 1999 horror film directed by Takashi Miike and adapted by Daisuke Tengan, based on the 1997 novel by Ryu Murakami. Starring Ryo Ishibashi and Eihi Shiina, the film is about a widower, Shigeharu Aoyama (Ishibashi), who stages a phony audition to meet a potential new romantic partner. After interviewing several women, Aoyama becomes interested in Asami (Shiina), whose dark past affects their relationship.
Audition was originally a project of the Japanese company Omega Project, who wanted to make a horror film after the massive financial success of their previous production Ring. The company purchased the rights to Murakami's book and sought Tengan and Miike for an adaptation. The cast and crew consisted primarily of previous Miike collaborators, with the exception of Shiina, who had worked as a model prior to her career in film. The film was shot in about three weeks in Tokyo. (Full article...)
Lyricist Howard Ashman pitched the idea, and the screenplay went through three drafts before Disney Studios president, Jeffrey Katzenberg, agreed to its production. The animators based their designs on the work of caricaturist Al Hirschfeld, and computers were used for both finishing the artwork and creating some animated elements. The musical score was composed by Alan Menken, and features six songs with lyrics written by both Ashman and Tim Rice, the latter of whom took over following Ashman's death. (Full article...)
The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically, and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant." The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers. (Full article...)
Bound was the first film directed by the Wachowskis, and they took inspiration from Billy Wilder to tell a noir story filled with sex and violence. Financed by Dino De Laurentiis, the film was made on a tight budget with the help of frugal crew members including cinematographer Bill Pope. The directors initially struggled to cast the lesbian characters of Violet and Corky before securing Tilly and Gershon. To choreograph the sex scenes, the directors employed sex educator Susie Bright as an ad hocintimacy coordinator, and she also made a cameo appearance in the film. (Full article...)
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