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The Myths Portal

1929 Belgian banknote, depicting Ceres, Neptune and caduceus

Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion.

Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)

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"Preste" as the Emperor of Ethiopia, enthroned on a map of East Africa. From an atlas by the Portuguese cartographer Diogo Homem for Queen Mary, c. 1555–1559. (British Library)

Prester John (Latin: Presbyter Ioannes) was a legendary Christian patriarch, presbyter, and king. Stories popular in Europe in the 12th to the 17th centuries told of a Church of the East patriarch and king who was said to rule over a Christian nation lost amid the pagans and Muslims in the Orient. The accounts were often embellished with various tropes of medieval popular fantasy, depicting Prester John as a descendant of the Three Magi, ruling a kingdom full of riches, marvels, and strange creatures.

At first, Prester John was imagined to reside in India. Tales of Church of the East Christians' evangelistic success there and of Thomas the Apostle's subcontinental travels as documented in works like the Acts of Thomas probably provided the first seeds of the legend. After the coming of the Mongols to the Western world, accounts placed the king in Central Asia, and eventually Portuguese explorers came to believe that the term was a reference to Ethiopia, by which time it had been an isolated Christian "exclave" distant from any other Christian-ruled territory. (Full article...)

Did you know? - show different entries

  • ... that Reeri Yakseya, who is believed to be the most cruel and powerful demon in Sinhalese folklore, can assume 18 different apparitions?


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The phoenix, "unica semper avis" (ever-singular bird), 1583

The phoenix is an immortal bird that cyclically regenerates or is otherwise born again. While it is part of Greek mythology, it has analogs in many cultures, such as Egyptian and Persian. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, while others that it simply dies and decomposes before being born again. In the Motif-Index of Folk-Literature, a tool used by folklorists, the phoenix is classified as motif B32.

The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time, the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Seville are among those who have contributed to the retelling and transmission of the phoenix motif. Over time, extending beyond its origins, the phoenix could variously "symbolize renewal in general as well as the sun, time, the Empire, metempsychosis, consecration, resurrection, life in the heavenly Paradise, Christ, Mary, virginity, the exceptional man, and certain aspects of Christian life". Some scholars have claimed that the poem De ave phoenice may present the mythological phoenix motif as a symbol of Christ's resurrection. (Full article...)

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