It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Carl Edward Sagan (/ˈseɪɡən/; SAY-gən; November 9, 1934 – December 20, 1996) was an American astronomer, planetary scientist, and science communicator. His best known scientific contribution is his research on the possibility of extraterrestrial life, including experimental demonstration of the production of amino acids from basic chemicals by exposure to light. He assembled the first physical messages sent into space, the Pioneer plaque and the Voyager Golden Record, which were universal messages that could potentially be understood by any extraterrestrial intelligence that might find them. He argued in favor of the hypothesis, which has since been accepted, that the high surface temperatures of Venus are the result of the greenhouse effect.
Initially an assistant professor at Harvard, Sagan later moved to Cornell University, where he spent most of his career. He published more than 600 scientific papers and articles and was author, co-author or editor of more than 20 books. He wrote many popular science books, such as The Dragons of Eden, Broca's Brain, Pale Blue Dot and The Demon-Haunted World. He also co-wrote and narrated the award-winning 1980 television series Cosmos: A Personal Voyage, which became the most widely watched series in the history of American public television: Cosmos has been seen by at least 500 million people in 60 countries. A book, also called Cosmos, was published to accompany the series. Sagan also wrote a science-fiction novel, published in 1985, called Contact, which became the basis for the 1997 film Contact. His papers, comprising 595,000 items, are archived in the Library of Congress. (Full article...)
Set in the fantasy world of Spira, a setting influenced by the South Pacific, Thailand and Japan, the game's story revolves around a group of adventurers and their quest to defeat a rampaging monster known as Sin. The player character is Tidus, a star athlete in the fictional sport of blitzball, who finds himself in Spira after Sin attacked his home city of Zanarkand. Shortly after arriving to Spira, Tidus becomes a guardian to summonerYuna to destroy Sin upon learning its true identity is that of his missing father, Jecht. (Full article...)
Science-fiction is the law-abiding citizen of imaginative literature, obeying the rules, be they physical, social, or psychological, keeping regular hours, eating punctual meals; predictable, certain, sure. Fantasy, on the other hand, is criminal. Each fantasy assaults and breaks a particular law; the crime being hidden by the author's felicitous thought and style which cover the body before blood is seen. Science-fiction works hand-in-glove with the universe. Fantasy cracks it down the middle, turns it wrong-side-out, dissolves it to invisibility, walks men through its walls, and fetches incredible circuses to town with sea-serpent, medusa, and chimera displacing zebra, ape, and armadillo. Science-fiction balances you on the cliff. Fantasy shoves you off.
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—Ray Bradbury (1920–2012), "Introduction" in The Circus of Dr. Lao and Other Improbable Stories (1956).
Gustave Doré's depiction of Canto VII of Dante's Inferno, the first part of the Divine Comedy. Here, we see the fourth circle (out of nine) of Hell, in which hoarders and wasters are forced to move around giant bags of gold, similar to the mythological story of Sisyphus. Allegorically, the Divine Comedy represents the journey of the soul towards God, with the Inferno describing the recognition and rejection of sin. (POTD)
October 1940 cover of Fantastic Adventures by J. Allen St. John, which was instrumental in saving the magazine from cancellation
Fantastic Adventures was an American pulpfantasy and science fiction magazine, published from 1939 to 1953 by Ziff-Davis. It was initially edited by Raymond A. Palmer, who was also the editor of Amazing Stories, Ziff-Davis's other science fiction title. The first nine issues were in bedsheet format, but in June 1940 the magazine switched to a standard pulp size. It was almost cancelled at the end of 1940, but the October 1940 issue enjoyed unexpectedly good sales, helped by a strong cover by J. Allen St. John for Robert Moore Williams' Jongor of Lost Land. By May 1941 the magazine was on a regular monthly schedule. Historians of science fiction consider that Palmer was unable to maintain a consistently high standard of fiction, but Fantastic Adventures soon developed a reputation for light-hearted and whimsical stories. Much of the material was written by a small group of writers under both their own names and house names. The cover art, like those of many other pulps of the era, focused on beautiful women in melodramatic action scenes. One regular cover artist was H.W. McCauley, whose glamorous "MacGirl" covers were popular with the readers, though the emphasis on depictions of attractive and often partly clothed women did draw some objections.
In 1949 Palmer left Ziff-Davis and was replaced by Howard Browne, who was knowledgeable and enthusiastic about fantasy fiction. Browne briefly managed to improve the quality of the fiction in Fantastic Adventures, and the period around 1951 has been described as the magazine's heyday. Browne lost interest when his plan to take Amazing Stories upmarket collapsed, and the magazine fell back into predictability. In 1952, Ziff-Davis launched another fantasy magazine, titled Fantastic, in a digest format; it was successful, and within a few months the decision was taken to end Fantastic Adventures in favor of Fantastic. The March 1953 issue of Fantastic Adventures was the last. (Full article...)
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